Lighting and time of day will have a major impact on colour and saturation, but the simplest way to either add or subtract saturation is after-the-fact in editing. In fact, if you look at most painter’s kits, you’ll see that the largest tube of paints is usually white because lightening the saturation of colour is a key element of paint mixing. A painter can desaturate the purity of a colour by adding paint to it (or by mixing it with its complement, which will create a muddier hue). The colours coming out of a prism are fully saturated, but pure colours are relatively rare. Saturation (sometimes referred to as chroma) is a word that describes the purity of a particular hue. Underexposure will increase the saturation significantly. Skies often appear most saturated at dusk and in the twenty minutes or so after the sun has dipped below the horizon. The concept of hue gets a bit more complicated when the colours we’re trying to describe are blends of various colours or when the colour comes from a palette this is not particularly ordinary. Though few of us use the term in casual conversation, ‘hue’ is the word that we mean when we describe the colour of any object. The hue of lemon, for example, is yellow and the hue of a red apple is red. Hue is the more accurate term for what people mean when they describe the colour of something. These three terms are the vocabulary of colour and knowing how to use them will help you to not only share your ideas of colours with others, but also to identify subtle variations in the colours of the objects and scenes around you.įoggy scenes have inherently less saturation because the fog scatters the light and that scattering in turn diffuses the intensity of the colours and softens the contrast. Colour is technically described and defined as having three specific attributes: hue, saturation, and brightness, or HSB (and often referred to as HSV with brightness being replaced with value-a different term for the same thing). Colour vocabularyĬolour has a language, and its vocabulary can help a great deal when it comes to seeing and describing colour in a universal tongue. Placing colourful subjects on black backgrounds will enhance their saturation. But it is very important that we learn to see colours for what they really are if we are to have any hope of capturing them, processing them to match our vision and then printing them so that the final prints look the way that the colours appeared in person. You can unsubscribe at any time via the link in any email we send you.įor the purposes of most creative photography it’s not so important that we are able to describe colours accurately, which is a relief, given how tricky it can be. Read about how we’ll protect and use your data in our Privacy Notices. The data controller is Octopus Book Group Limited. Sign up to the Ilex email newsletter to keep up to date with new releases, author news, and exclusive competitions. Please tick this box to indicate that you’re 13 or over. The books featured on this site are aimed primarily at readers aged 13 or above and therefore you must be 13 years or over to sign up to our newsletter. SOUTH GEORGIA AND THE SOUTH SANDWICH ISLANDS MACEDONIA, THE FORMER YUGOSLAV REPUBLIC OF
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